STRIPE I
2020
Recycled EPS, Fiberglass, Resin
60” x 60” x 3”
Available For Purchase at A’Maree’s
Part of the “Panel” series, “Stripe I” is a continuation of Meehan’s contemporary, minimalist designs while incorporating new treatments of his materials. After his extensive travels through Japan, Meehan was deeply inspired by Japanese architecture and aesthetics. “Stripe I” utilizes the 18th-century technique of Shou Sugi Ban (or Yakisugi), a method of preserving wood by charring its surface, which creates a deep charcoal-black color. Usually found on the exterior of homes and buildings, this design is brought into the interior by the artist, making this piece a sophisticated embodiment of his appreciation of the craftsmanship of Pacific cultures.
2020
Recycled EPS, Fiberglass, Resin
60” x 60” x 3”
Available For Purchase at A’Maree’s
Part of the “Panel” series, “Stripe I” is a continuation of Meehan’s contemporary, minimalist designs while incorporating new treatments of his materials. After his extensive travels through Japan, Meehan was deeply inspired by Japanese architecture and aesthetics. “Stripe I” utilizes the 18th-century technique of Shou Sugi Ban (or Yakisugi), a method of preserving wood by charring its surface, which creates a deep charcoal-black color. Usually found on the exterior of homes and buildings, this design is brought into the interior by the artist, making this piece a sophisticated embodiment of his appreciation of the craftsmanship of Pacific cultures.
2020
Recycled EPS, Fiberglass, Resin
60” x 60” x 3”
Available For Purchase at A’Maree’s
Part of the “Panel” series, “Stripe I” is a continuation of Meehan’s contemporary, minimalist designs while incorporating new treatments of his materials. After his extensive travels through Japan, Meehan was deeply inspired by Japanese architecture and aesthetics. “Stripe I” utilizes the 18th-century technique of Shou Sugi Ban (or Yakisugi), a method of preserving wood by charring its surface, which creates a deep charcoal-black color. Usually found on the exterior of homes and buildings, this design is brought into the interior by the artist, making this piece a sophisticated embodiment of his appreciation of the craftsmanship of Pacific cultures.